Ten songs about staying, leaving and the long kitchen table in between. Press play and the record comes out of the sleeve.
Tap a song to put the needle down. These are placeholder titles.
Marisol writes at night and sings in the morning, usually while something is burning on the stove. The songs on Slow Honey started as voice memos made in a parked car, and most of them kept the car's hush.
She sings close to the microphone and lets the band stay small: a Rhodes, a bass, brushes, a baritone horn when the room allows. The aim was a record that sounds like it was made after everyone else went to bed.
On stage the songs stretch. A three minute verse can become a conversation with the front row. Bring someone you want to sit next to.
Clubs, theatres, house concerts and small festivals. Tell us the room and the night.
Placeholder example, not a real business. Photos from Unsplash (Unsplash License): Jakob Rosen, Andras Vas, Ryan Arnst, Nick Karvounis, Soundtrap. Original design.